[23] Musicologist Adam Harper identifies the difference as "phonographic" and "non-phonographic imperfections". He defines the former as "elements of a recording that are perceived (or imagined to be perceived) as detrimental to it and that originate in the specific operation of the recording medium itself. Today, they are usually https://vibeslo-fi06158.activoblog.com/32527792/o-truque-inteligente-de-música-lo-fi-brasileña-que-ninguém-é-discutindo